Third submission by Michael Hetrick is once again about our distortion beast Ohmicide:Melohman, this time showing a creative way to use the plug-in: using each band’s noise gate parameters to apply different kinds of distortion to each portion of the frequency spectrum, what gives – in Michael’s studio an acoustic drum loop – new personalities to the audio and spicy rhythmic enhancements to what used to be a ‘not that uncommon loop’. In addition he plugs in an OhmBoyz delay and – wow – we could make an entire track only playing along with parameters and cleverly exploring the variations of this delayed-gated-distortion setup.